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SKU: 6162
Performed by the San Francisco Symphony Orchestra.
Conducted by Michael Tilson Thomas.
L'Oiseau de feu brings us the fairy tale of Tsarevich Ivan and the beautiful Firebird in the garden of the ogre Kaschei. Le Sacre du printemps unleashes, as Stravinsky himself put it, "the awakening of nature, the scratching, gnawing, wiggling, of birds and beasts" in the vibrant arrival of the season. And finally, the love song for the woman who would become Stravinsky's wife, Perséphone too evokes the glory of spring but, unlike the brutal vigor of Le Sacre du printemps, through the more placid context of her compassion and love for the Underground god Pluto.
(3-disc set encoded in standard CD format)
Track list
- L'Oiseau de feu (The Firebird), ballet
- Le Sacre du printemps (The Rite of Spring), ballet
- Perséphone, melodrama in 3 scenes
with Stuart Neill
(3-disc set encoded in standard CD format)
Track List:
Disc 1:—Copland: The Modernist
1-2. Concerto for Piano and Orchestra—Garrick Ohlsson, Piano
3. Orchestral Variations
4-6. Short Symphony (Symphony No. 2)
7. Symphonic Ode
Disc 2:—Copland: The Populist
1. Billy the Kid
2. Appalachian Spring
3-6. Rodeo
Disc 3:—On Aaron Copland: The Man and his Music, by Michael Tilson Thomas
- Fanfare for the Common Man
- Introduction to The Modernist and Symphonic Ode
- Concerto for Piano and Orchestra
- Orchestral Variations
- Short Symphony
- Introduction to The Populist
- Billy the Kid
- Appalachian Spring
- Rodeo
- On First Meeting Aaron Copland and Aaron Copland the Man
- Introduction to Fanfare for the Common Man
- Fanfare for the Common Man
In June 2000, MTT and the SFS stunned the music world with their American Mavericks festival, showcasing the music of composers with uniquely radical views. The festival was a defining event in the musical life of the Bay Area and the country. Now, from the University of California Press, comes American Mavericks: Visionaries, Pioneers, Iconoclasts, the story of the sweep of radical music in 20th century America, from the turn of one century to the turn of another, as exemplified by the composers spotlighted in the American Mavericks festival.
American Mavericks provides a permanent record of the Symphony's vision for audiences, scholars, and educators and tells a fascinating story—not about one individual or one institution, but about a cultural phenomenon that crosses geographic, chronological, and ethnic boundaries. The mavericks were as disparate in personality and musical style as the American landscape, but, as Michael Tilson Thomas says, "what these composers all have in common is their enormous excitement in the experience of sound itself."
This book presents an abundance of commentary from performers and a wealth of primary material—interviews, photographs, and rare performances. The voices of those who have experienced the music "from within" provide unique insight that complements the historical and analytical material. Among the artists considered in this volume are Charles Ives, Ruth Crawford Seeger, Duke Ellington, Aaron Copland, Lou Harrison, John Cage, Morton Feldman, Earle Brown, Meredith Monk, and Frank Zappa.
Contributors to this volume include MTT, composer John Adams, critic Alan Rich and SFS program annotator James Keller and contributing writer Michael Steinberg. Edited by American Mavericks festival coordinator Susan Key and SFS Publications Editor Larry Rothe, the book is generously illustrated and includes a companion CD with excerpts of music performed at the festival.
See what the reviewers have to say...
CD Track List
- Charles Ives: Quarter-tone Piano Piece No. 2, Allegro
- Michael Tilson Thomas and Lou Harrison: in conversation, June 9, 2000
- Henry Cowell: Opening of Piano Concerto
- George Antheil: Opening of Ballet Méchanique
- Lou Harrison: introducing his Concerto for Organ with Percussion Orchestra
- Lou Harrison: Allegro from Concerto for Organ with Percussion Orchestra
- Michael Tilson Thomas: introducing Cage's Credo in Us
- John Cage: Credo in Us
- Michael Tilson Thomas: introducing Feldman's Piece for 4 Pianos
- Morton Feldman: Piece for 4 Pianos
- Michael Tilson Thomas and Lukas Foss: in conversation June 9, 2000
- Michael Tilson Thomas and Lukas Foss: in conversation June 9, 2000
- Michael Tilson Thomas and John Adams: in conversation June 21, 2000
- Michael Tilson Thomas and David del Tredici: in conversation June 16, 2000
- David del Tredici: Opening of Adventures Underground
- Meredith Monk: on her stylistic development, June 9, 2000
- Michael Tilson Thomas and Steve Mackey: in conversation June 20, 2000
- Steve Mackey: "Intrigue" from Tuck and Roll
Get the complete set of 6 companion audio CDs to the acclaimed Keeping Score series and receive 10% off.
Now you can enjoy the complete concert performances of the works explored in Keeping Score, including Tchaikovsky’s Symphony No. 4, Beethoven’s Symphony No. 3, Stravinsky’s Rite of Spring, Copland’s American Sound, Berlioz’s Symphonie fantastique, Ives’s Holidays Symphony, and Shostakovich’s Symphony No. 5.
Throughout the book children are referred to the accompanying CD so that they can hear examples as they read. Music on the CD includes Magic Flute (Mozart), Harry Potter and the Sorcerer's Stone (Williams), Carnival of the Animals (Saint-Saëns), The Planets (Holst), Petrushka (Stravinsky), and Peter and the Wolf (Prokofiev).
The San Francisco Symphony asked composer Nathaniel Stookey to write the music and the great storyteller Lemony Snicket to create the story. Edwin Outwater conducted the world premiere performance and recording of The Composer Is Dead with the SFS in July 2006.
by Lemony Snicket (Author), Carson Ellis (Illustrator)
With CD of music composed by Nathaniel Stookey, narrated by Lemony Snicket.
ALONG THE WAY YOU'LL LISTEN to the greatest works in classical music and HEAR each instrument of the orchestra and LEARN fun facts about the music, composers and musicians, including:
-Bach wasn't famous until 100 years after he died
-Some people think that years of playing the oboe can make you crazy
-Beethoven was totally deaf by the time he wrote the famous 9th Symphony
-The contrabassoon would be 16 feet tall if unwound
-Copland composed at night and on weekends and had a day job as an insurance agent
Illustrated in exquisite and colorful detail with over 100 original drawings and photographs, engaging text and delightful musical selections on the accompanying 70-minute CD lead children ages 8 to 12 (and parents, too!) on an exciting and educational tour through the instruments and music of the orchestra. The engaging text is broken into three sections: an introduction to each instrument of the orchestra from the cello to the timpani, the stories of famous composers from Bach to Stravinsky and an explanation of different musical styles from Baroque to Modern. Each step of the way, children can listen to actual musical examples of what they are learning about. Young readers will hear the sound of an actual violin as they study the instrument and enjoy the playful tune of a Mozart minuet as they read about the composer's precocious exploits as a child.
“Graham was characteristically poised and radiant. The American mezzo-soprano lent her full, lustrous tone, regal bearing, and keen sensitivity to these uniquely beautiful songs, beginning here with “Liebst du um Schönheit” (If you love because of beauty), conducted with great sensitivity by Tilson Thomas and limned by Graham’s lovely, rounded projection of the text.”
- Georgia Rowe, San Francisco Classical Voice
“Hampson and the orchestra probed the music for all the pity and terror they conveyed…. Hampson's singing [of the last song] was as robust and mellifluous as ever, and he projected all the bite and tenderness of Mahler's melodies flawlessly. “
- Joshua Kosman, San Francisco Chronicle
CD Contents:
Lieder eines fahrenden Gesellen:
1. Wenn mein Schatz Hochzeit macht
2. Ging heut' Morgen übers Feld
3. Ich hab' ein glühend Messer
4. Die zwei blauen Augen
Rückert-Lieder:
5. Ich atmet' einen linden Duft
6. Blicke mir nicht in die Lieder
7. Liebst du um Schönheit
8. Um Mitternacht
9. Ich bin der Welt abhanden gekommen
Selections from Des Knaben Wunderhorn:
10. Lied des Verfolgten im Turm
11. Der Tamboursg'sell
12. Wo die schönen Trompeten blasen
13. Revelge
14. Urlicht
San Francisco Symphony
Michael Tilson Thomas, conductor
Susan Graham, mezzo-soprano
Thomas Hampson, baritone
Recorded live at Davies Symphony Hall, San Francisco
Rückert-Lieder September 16-20, 2009
Lieder eines fahrenden Gesellen September 23, 25-26, 2009
Selections from Des Knaben Wunderhorn May 10-13, 2007
- Das Trinklied vom Jammer der Erde
- Der Einsame im Herbst
- Von der Jugend
- Von der Schönheit
- Der Trunkene im Frühling
- Der Abschied
Total Length 63:20
Recorded live in Davies Symphony Hall September 26-29, 2007
Das klagende Lied
"Tilson Thomas's objective, transparent approach suits this piece well. The orchestral playing is warm, the chorus work is spirited and the soloists are excellent "- The Times (U.K.)
Part I (Waldmärchen/Forest Tale):
A beautiful, proud queen has conceded that she will give herself as wife to whichever knight finds a certain red flower in the forest, a flower as lovely as herself. Two brothers set out to find that flower; the younger is sweet in manner and handsome, the elder “could only utter curses.” The younger brother finds the flower, then lies down to sleep. Discovering him, the older brother kills him, takes the flower, and claims his prize.
Part II (Der Spielman/The Wandering Musician):
A musician wandering through the forest finds a gleaming bone and fashions a flute from it. When he plays his new instrument, it sings the tale of the murder. The minstrel decides he must seek out the queen.
Part III (Hochzeitsstück/Wedding Piece):
At the wedding feast for the queen and murderer‑knight, the minstrel plays his flute, which tells its tale. The new king seizes the flute and puts it to his own lips, where it accuses him directly. The queen faints, the guests flee, and the walls of the castle collapse.
2nd Movement: Der Spielmann. Sehr gehalten 16:55
3rd Movement: Hochzeitsstück. Heftig bewegt 19:39
San Francisco Symphony
Michael Tilson Thomas, conductor
Marina Shaguch, soprano Michelle DeYoung, mezzo-soprano Thomas Moser, tenor Sergei Leiferkus, baritone
Vance George, chorus director
San Francisco Symphony Chorus
Recorded live at Davies Symphony Hall San Francisco,
May 29-31 and June 2, 1996
Limited time Holiday Offer! Free CD included with Beethoven Collection purchase:
This companion concert recording for Keeping Score: Beethoven’s Eroica, as seen on PBS, was recorded live in Davies Symphony Hall in May 2004.
Limited time Holiday Offer! Free CD included with American Mavericks Collection purchase:
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