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“Graham was characteristically poised and radiant. The American mezzo-soprano lent her full, lustrous tone, regal bearing, and keen sensitivity to these uniquely beautiful songs, beginning here with “Liebst du um Schönheit” (If you love because of beauty), conducted with great sensitivity by Tilson Thomas and limned by Graham’s lovely, rounded projection of the text.”
- Georgia Rowe, San Francisco Classical Voice
“Hampson and the orchestra probed the music for all the pity and terror they conveyed…. Hampson's singing [of the last song] was as robust and mellifluous as ever, and he projected all the bite and tenderness of Mahler's melodies flawlessly. “
- Joshua Kosman, San Francisco Chronicle
CD Contents:
Lieder eines fahrenden Gesellen:
1. Wenn mein Schatz Hochzeit macht
2. Ging heut' Morgen übers Feld
3. Ich hab' ein glühend Messer
4. Die zwei blauen Augen
Rückert-Lieder:
5. Ich atmet' einen linden Duft
6. Blicke mir nicht in die Lieder
7. Liebst du um Schönheit
8. Um Mitternacht
9. Ich bin der Welt abhanden gekommen
Selections from Des Knaben Wunderhorn:
10. Lied des Verfolgten im Turm
11. Der Tamboursg'sell
12. Wo die schönen Trompeten blasen
13. Revelge
14. Urlicht
San Francisco Symphony
Michael Tilson Thomas, conductor
Susan Graham, mezzo-soprano
Thomas Hampson, baritone
Recorded live at Davies Symphony Hall, San Francisco
Rückert-Lieder September 16-20, 2009
Lieder eines fahrenden Gesellen September 23, 25-26, 2009
Selections from Des Knaben Wunderhorn May 10-13, 2007
- Das Trinklied vom Jammer der Erde
- Der Einsame im Herbst
- Von der Jugend
- Von der Schönheit
- Der Trunkene im Frühling
- Der Abschied
Total Length 63:20
Recorded live in Davies Symphony Hall September 26-29, 2007
Das klagende Lied
"Tilson Thomas's objective, transparent approach suits this piece well. The orchestral playing is warm, the chorus work is spirited and the soloists are excellent "- The Times (U.K.)
Part I (Waldmärchen/Forest Tale):
A beautiful, proud queen has conceded that she will give herself as wife to whichever knight finds a certain red flower in the forest, a flower as lovely as herself. Two brothers set out to find that flower; the younger is sweet in manner and handsome, the elder “could only utter curses.” The younger brother finds the flower, then lies down to sleep. Discovering him, the older brother kills him, takes the flower, and claims his prize.
Part II (Der Spielman/The Wandering Musician):
A musician wandering through the forest finds a gleaming bone and fashions a flute from it. When he plays his new instrument, it sings the tale of the murder. The minstrel decides he must seek out the queen.
Part III (Hochzeitsstück/Wedding Piece):
At the wedding feast for the queen and murderer‑knight, the minstrel plays his flute, which tells its tale. The new king seizes the flute and puts it to his own lips, where it accuses him directly. The queen faints, the guests flee, and the walls of the castle collapse.
2nd Movement: Der Spielmann. Sehr gehalten 16:55
3rd Movement: Hochzeitsstück. Heftig bewegt 19:39
San Francisco Symphony
Michael Tilson Thomas, conductor
Marina Shaguch, soprano Michelle DeYoung, mezzo-soprano Thomas Moser, tenor Sergei Leiferkus, baritone
Vance George, chorus director
San Francisco Symphony Chorus
Recorded live at Davies Symphony Hall San Francisco,
May 29-31 and June 2, 1996
Here is Mahler the enchanter. The selections from Des Knaben Wunderhorn are the composer’s take on folk tunes, playful and touching. The Songs of a Wayfarer (Lieder eines fahrenden Gesellen) tell of young love lost. And the Rückert settings are, in a word, gorgeous. Hear Susan Graham and Thomas Hampson, two of today’s great Mahler singers, as they join Michael Tilson Thomas and the San Francisco Symphony in this final album of the award-winning MTT/SFS Mahler cycle.
"The new recording is a triumph that promises to set the standard for the entire cycle to come.... The orchestra sounds better here than it ever has on disc.... The results are breathtaking."
- San Francisco Chronicle
The SFS and MTT present Mahler's Symphony No. 1, their second recording of the complete Mahler Symphony cycle. This powerful and passionate performance of Mahler's "Titan" follows the universally acclaimed recording of Mahler's Symphony No. 6, which topped the Billboard classical chart within the first week of its release. Recorded during the SFS concerts of September 19-23, 2001, this newest addition to the Mahler cycle captures the live-performance excitement of the Grammy-winning conductor-symphony partnership that the Los Angeles Times has declared "the most exciting Mahler combination anywhere right now."
This disc was recorded using Sony Direct Stream Digital technology and released on the SACD hybrid format, featuring 5.1 channel Super Audio playback. It will play on all current standard CD players, as well as on Super Audio CD players.
Track List:
- 1st Movement: Langsam. Schleppend.
(Slow. Dragging.) - 2nd Movement: Kräftig bewegt, doch nicht zu schnell.
(With powerful movement, but not too fast) - 3rd Movement: Feierlich und gemessen, ohne zu schleppen
(Solemn and measured, without dragging) - 4th Movement: Stürmisch bewegt
(With violent movement)
- The San Francisco Chronicle
"Michael Tilson Thomas' frighteningly intense performance of Mahler's Sixth Symphony with the San Francisco Symphony is the ... real standout among the [Grammy] winners."
- the Los Angeles Times
The SFS and MTT present their first recording of the complete Mahler Symphony cycle. Each of Mahler's nine symphonies is a drama, and Michael Tilson Thomas is among the foremost interpreters of these episodes. Last fall, the SFS and MTT began their five-season project of recording all the Mahler Symphonies and the Adagio from the unfinished Tenth, live.
The first installment is Symphony No. 6. Sometimes called the "Tragic" Symphony, the Sixth shows Mahler at his most devastating, and many think of this music, first heard in 1906, as a prophecy of the horrors of the century to come. This recording was made at the SFS concerts of September 12-15, 2001, immediately following the events of September 11 and captures a passionate response to that day.
This disc was recorded using Sony Direct Stream Digital technology and released on the SACD hybrid format, featuring 4 channel Super Audio playback. It will play on all current standard CD players, as well as on Super Audio CD players. It is also available in the Symphony Store at Davies Symphony Hall and record stores everywhere.
Track List:
Disc 1:
1. 1st Movement—Allegro energico, ma non troppo.
2. 2nd Movement—Scherzo: Wuchtig.
3. 3rd Movement—Andante moderato.
Disc 2:
4. 4th Movement—Finale: Allegro moderato—Allegro energico.
Listen before you buy. Click on the links below to hear sound samples.
Winner of three Grammys®! Best Classical Album, Best Choral Performance, and Best Engineered Classical Album
"...this promises to be a triumphant capstone to the entire cycle." -San Francisco Chronicle
Mahler's immense creation-featuring hundreds of musicians, three choruses, and soloists-is a symphony so epic in scope that it has been dubbed the "Symphony of A Thousand." Mahler's Eighth—a tale of damnation and salvation—is quintessentially a romantic work, but it owes a great debt to the towering Baroque choral works of J.S. Bach.
- Fort Worth Star Telegram
"The case can be made that the San Francisco Symphony under Michael Tilson Thomas is currently the U.S.'s finest symphonic institution."
- The Absolute Sound
Mahler's Fifth Symphony is all about action.
It's his breakthrough work--a "foaming, roaring, raging sea of sound," he called it, a work of "dancing stars." The famed Adagietto was inspired by Mahler's love for his young wife Alma. Hear Mahler 5 recorded live by the SFS and MTT, the partnership that the Los Angeles Times calls "the most exciting Mahler combination anywhere right now."
Anthony Tommasini declares the recording "incisive and dramatic" in his New York Times review.
Track list:
- Trauermarsch
- Stürmisch bewegt, mit größter Vehemenz
- Scherzo
- Adagietto, sehr langsam
- Rondo-Finale, allegro
Total Length 73:21:02
Mahler Symphony No. 5 was officially released on October 10, 2006.
- Das Trinklied vom Jammer der Erde
- Der Einsame im Herbst
- Von der Jugend
- Von der Schönheit
- Der Trunkene im Frühling
- Der Abschied
Michael Tilson Thomas, conductor
Stuart Skelton, tenor
Thomas Hampson, baritone
The latest release in the MTT/SFS Mahler Recording Cycle.
“Tilson Thomas’s objective, transparent approach suits this piece well. The orchestral playing is warm, the chorus work is spirited and the soloists are excellent” – The Times (U.K.)
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