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(3-disc set encoded in standard CD format)
Track List:
Disc 1:—Copland: The Modernist
1-2. Concerto for Piano and Orchestra—Garrick Ohlsson, Piano
3. Orchestral Variations
4-6. Short Symphony (Symphony No. 2)
7. Symphonic Ode
Disc 2:—Copland: The Populist
1. Billy the Kid
2. Appalachian Spring
3-6. Rodeo
Disc 3:—On Aaron Copland: The Man and his Music, by Michael Tilson Thomas
- Fanfare for the Common Man
- Introduction to The Modernist and Symphonic Ode
- Concerto for Piano and Orchestra
- Orchestral Variations
- Short Symphony
- Introduction to The Populist
- Billy the Kid
- Appalachian Spring
- Rodeo
- On First Meeting Aaron Copland and Aaron Copland the Man
- Introduction to Fanfare for the Common Man
- Fanfare for the Common Man
Single CD encoded in standard CD format [DDD].
Aaron Copland (1900-90)
San Francisco Symphony
Michael Tilson Thomas, conductor
Disc includes:
- Concerto for Piano and Orchestra
Garrick Ohlsson, piano - Orchestral Variations
- Short Symphony (Symphony No. 2)
- Symphonic Ode
Total playing time: 66:14.
Single CD encoded in standard CD format [DDD].
Aaron Copland (1900-90)
San Francisco Symphony
Michael Tilson Thomas, conductor
Track List
- Billy the Kid
- Appalachian Spring
- Rodeo
Total playing time: 76:30.
In June 2000, MTT and the SFS stunned the music world with their American Mavericks festival, showcasing the music of composers with uniquely radical views. The festival was a defining event in the musical life of the Bay Area and the country. Now, from the University of California Press, comes American Mavericks: Visionaries, Pioneers, Iconoclasts, the story of the sweep of radical music in 20th century America, from the turn of one century to the turn of another, as exemplified by the composers spotlighted in the American Mavericks festival.
American Mavericks provides a permanent record of the Symphony's vision for audiences, scholars, and educators and tells a fascinating story—not about one individual or one institution, but about a cultural phenomenon that crosses geographic, chronological, and ethnic boundaries. The mavericks were as disparate in personality and musical style as the American landscape, but, as Michael Tilson Thomas says, "what these composers all have in common is their enormous excitement in the experience of sound itself."
This book presents an abundance of commentary from performers and a wealth of primary material—interviews, photographs, and rare performances. The voices of those who have experienced the music "from within" provide unique insight that complements the historical and analytical material. Among the artists considered in this volume are Charles Ives, Ruth Crawford Seeger, Duke Ellington, Aaron Copland, Lou Harrison, John Cage, Morton Feldman, Earle Brown, Meredith Monk, and Frank Zappa.
Contributors to this volume include MTT, composer John Adams, critic Alan Rich and SFS program annotator James Keller and contributing writer Michael Steinberg. Edited by American Mavericks festival coordinator Susan Key and SFS Publications Editor Larry Rothe, the book is generously illustrated and includes a companion CD with excerpts of music performed at the festival.
See what the reviewers have to say...
CD Track List
- Charles Ives: Quarter-tone Piano Piece No. 2, Allegro
- Michael Tilson Thomas and Lou Harrison: in conversation, June 9, 2000
- Henry Cowell: Opening of Piano Concerto
- George Antheil: Opening of Ballet Méchanique
- Lou Harrison: introducing his Concerto for Organ with Percussion Orchestra
- Lou Harrison: Allegro from Concerto for Organ with Percussion Orchestra
- Michael Tilson Thomas: introducing Cage's Credo in Us
- John Cage: Credo in Us
- Michael Tilson Thomas: introducing Feldman's Piece for 4 Pianos
- Morton Feldman: Piece for 4 Pianos
- Michael Tilson Thomas and Lukas Foss: in conversation June 9, 2000
- Michael Tilson Thomas and Lukas Foss: in conversation June 9, 2000
- Michael Tilson Thomas and John Adams: in conversation June 21, 2000
- Michael Tilson Thomas and David del Tredici: in conversation June 16, 2000
- David del Tredici: Opening of Adventures Underground
- Meredith Monk: on her stylistic development, June 9, 2000
- Michael Tilson Thomas and Steve Mackey: in conversation June 20, 2000
- Steve Mackey: "Intrigue" from Tuck and Roll
"Romeo and Juliet is a great lyrical symphonic epic, one in which Prokofiev used his unique gift for beautiful melody to give life to all the characters. Definite motifs are identified with those characters and also with specific emotions—emotions such as innocence, love, anger, jealousy, despair."
- Michael Tilson Thomas, Music Director
(Single disc encoded in standard CD format)
Track List:
1. Romeo and Juliet, ballet in 4 acts, Op. 64: Excerpts
Performed by the San Francisco Symphony Orchestra.
Conducted by Michael Tilson Thomas.
L'Oiseau de feu brings us the fairy tale of Tsarevich Ivan and the beautiful Firebird in the garden of the ogre Kaschei. Le Sacre du printemps unleashes, as Stravinsky himself put it, "the awakening of nature, the scratching, gnawing, wiggling, of birds and beasts" in the vibrant arrival of the season. And finally, the love song for the woman who would become Stravinsky's wife, Perséphone too evokes the glory of spring but, unlike the brutal vigor of Le Sacre du printemps, through the more placid context of her compassion and love for the Underground god Pluto.
(3-disc set encoded in standard CD format)
Track list
- L'Oiseau de feu (The Firebird), ballet
- Le Sacre du printemps (The Rite of Spring), ballet
- Perséphone, melodrama in 3 scenes
with Stuart Neill
SKU: 9402
American Premieres for Brass
San Francisco-based ensemble The Bay Brass presents a showcase of American music both rousing and moving with these first recordings of recent works by John Williams, Michael Tilson Thomas, Morten Lauridsen, and others. The Bay Brass was founded in 1995 and is composed of brass players from the San Francisco Bay Area s leading performing organizations, including the San Francisco Symphony, the San Francisco Ballet and the San Francisco Opera Orchestra. The group prides itself on the diversity of its programming, combining the traditional brass repertory with jazz and other contemporary styles and featuring a mix of large-scale symphonic brass ensemble works and compositions for smaller combinations of players. The album's recording engineer is Sean Murphy, an Oscar® and Emmy® award winning mixer/engineer who has worked on hit films such as Saving Private Ryan, Titanic, The Green Hornet, and many others.
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